Review: Canon (Vixia) HF100 AVCHD Camcorder
Not just a truly solid-state camcorder but one that
produces superb quality high definition video and has all the
inputs and outputs we like to see on a serious camcorder. Can
anything beat the Canon HF100?
Well, if you'd also like to see a built-in flash memory
recording capability in addition to its ability to record
true high definition video onto SD/SDHC memory cards, then
you'll want to look at its slightly more expensive sibling,
the HF10. If, however, you're happy to record to SDHC cards
it's quite possible that the HF100 will fulfill all your
requirements. Why? Because the HF100 (known as the
Vixia HF100 in NTSC territories, such as the USA) is
one of a new generation of consumer camcorders that uses not
tapes or even hard disc drives but solid-state SD memory
cards to record and playback true, full specification, high
definition video in a way that's actually quite remarkable.
Like so many new tapeless HD camcorders, the HF100 and its
HF10 sibling utilise the revolutionary AVCHD format to
squeeze the huge amount of precious picture data required to
fill a large HDTV display into the thumbnail-sized space that
is an SD or SDHC (high capacity) memory card. Furthermore,
what makes the HF100 and HF10 so incredible is that they
offer an impressive range of additional features and
functions that the more serious video-maker will value
greatly - stuff like 25p cinema style shooting, a mic input,
headphone output, Av and Tv exposure/shutter priorities and
so on. In short, it promises everything we've come to want
from a great camcorder - but does it deliver on its promises?
First impressions
First things first - unpack it from the box, insert a charged
battery into its perfectly-shaped recess slot at the back of
the body and switch it on. It feels good. Somewhat
surprisingly for a camcorder that doesn't possess any kind of
complex and cumbersome tape transport or DVD disc drive
mechanisms, the HF100 (as with the HF10) is quite bulky. In
fact, it's not much lighter than its HDV cousin, the
Canon
HV30. That said, we consider this to be an advantage
in that it actually aids general handling and stability
- you feel like you're holding a proper camcorder as
opposed to some lightweight plastic toy!
Whilst not being over-burdened with buttons, dials and
switches, the HF100 certainly has everything you'll need to
get a good job done with a minimum of fuss. On the right,
rear, of the body is a large power dial containing function
selectors for movie recording and playback, in addition to
equivalent selectors for still images too. On top is a
reasonably large zoom rocker, which is light to the touch yet
very responsive when zooming, and also a Photo button. Right
at the back is a mini Intelligent Accessory Shoe for use with
external accessories like Canon's own DM-100 microphone,
additional video light, etc.
Pull out the generous multi-angle 2.7" TFT Colour LCD screen
(which itself is designed for improved viewing in bright
light) and you'll see that there's a range of controls on the
left and bottom of the frame. Basic record and playback
controls run underneath the screen - including the
all-important record button, with the mini-joystick
cluster on the left hand side, providing menu navigation and
selection capabilities for use with the left hand. There's a
FUNC button which provides easy access to the well-designed
and manageable menu system.
Inside the LCD recess are contained a few buttons, including
an EASY button which provides a highly-useful
fail-safe style of fully-auto shooting and which will
over-ride any other menaully-set controls at a single press.
The SDHC card slot is here, too, along with the Component
Digital output connector.
Other valuable connector sockets, such as "Type C" HDMI
socket, AV/Headphone out, USB 2.0, DC and external mic input,
are all cleverly concealed behind shaped flaps around the
body. Overall, the body styling and ergonomics are excellent.
Up front is a 12:1 Canon HD Video Lens and a video light.
Sadly, the manual focus that would have made the HF100 an
unbeatable proposition is lacking (you have to use the
mini-joystick to manipulate the graphic display on screen),
but one good (though understated) point is there's a simple
"Power" button on the upper left of the main body - you don't
have to mess around with the power dial, you can simply
switch the camera on and off with ease.
Features
The HF100 utilises an impressive 1/3.2 inch, 3.3 megapixel,
CMOS image sensor to generate its 1920 x 1080 high definition
images which are then saved to an SD or SDHC memory card
thanks to an increasingly popular video compression system
called AVCHD. Based upon the widely adopted MPEG-4 AVC/H.264
codec (compression/decompression system), the resulting HD
movies look fabulous when displayed via HDMI or Component
connections - particularly those recorded at the highest
17Mbps "FXP" setting. The latter (as our test proved) will
fill a 16GB SDHC card in just over 2 hours.
The three lesser XP+, SP and LP modes generate 1440 x 1080
resolution pictures, though even the lowest 2.5Mbps mode
produces reasonable results when shooting scenes containing a
minimum of movement.
Those familiar with Canon's other camera and camcorder
products will welcome the ability to shoot with either
Shutter Priority (Tv) or Aperture Priority (Av), thus
allowing the device to match aperture to a pre-determined
shutter speed and vice versa. Canon has also incorporated its
own Optical-Shift Image Stabilisation, which does a very good
job at smoothing out hand-held wobbliness. The 12x optical
zoom lens is supplemented by a reasonable 40x digital zoom.
In contrast, its 200x digital zoom option is hardly worth
inclusion on an otherwise fine product as it produces blocky,
unrecognisable images.
Electronic shutter options are consistent with other models
at this price point, and range from 1/2000 sec up to 1/2 sec.
The higher shutter speeds are very useful when shooting sport
where the requirement is for sharp still frames or
slow-motion. However, care must be taken with exposure, since
a short exposure requires a significant increase in light,
although this is one area where the AV and Tv priority
settings come in useful.
Contained in the Program AE options is Cine Mode,
which can be used in conjunction with the PF25 option to
provide a progressive frame recording rate of 25fps (24fps on
the USA Vixia HF100 model) for an enhanced 25P (24P)
mode to give a cinema-like feel to recorded clips. The
graphical menu system includes a "HUD" (head-up display)
style interface which shows what changes are being made to
the many operational functions available - of which the
common will be focus, exposure, shutter speed, white balance,
etc. So, for example, increasing or decreasing the microphone
input level manually involves using the joystick to add a "+"
or "-" values accordingly. It takes some getting used to, but
it's effective all the same. Overall, the cascading,
multi-tiered, menu system is well designed and manageable
both for recording and playback in movie or stills modes.
It's a real shame there's no
manual focus ring, something that would make both the HF100
and HF10 real killers in the serious enthusiast
camcorder market, but there's some compensation in the fact
that manual control over functions like focus, aperture,
white balance and electronic shutter is reasonably
user-friendly when you get used to the method of operating
the mini-joystick whilst using the "head-up display" in the
LCD screen. At first it seems like quite a task, but users
will quickly adjust to it - especially to manual audio
control which is managed by reference to linear audio meters
onscreen.
In order to compensate against strong light behind your
subject, an Auto Backlight control will kick in (selectable
by a switch on the bottom right of the LCD frame) in order to
correct the exposure in favour of the foreground.
Performance
Where the HF100 really scores is the ease with which you can
be up and running and shooting HD video in an instant -
thanks to a one-click
Easy mode which over-rides any
other settings in order that you'll at least get good video
when you absolutely need it. Even more interesting is the
fact that the camera reverts to your manual settings when you
switch back.
Overall control of manual settings is determined by Canon's
standard onscreen menu display system, with navigation and
choices being made using the LCD frame-mounted mini-joystick
controller. It's a bit fiddly to begin with, but the ability
to operate this with your left hand whilst gripping the
camera with your right is a major plus point.
Additional record and play controls are mounted underneath
the LCD screen, too, which is also very handy.
Shooting outdoors in bright sunshine under fully auto
Easy mode and the HF100 provides really superb
recordings overall. The zoom control is very responsive yet
light to the touch, and with practice it's quite easy to
produce a smooth zoom in or out, complete with a ramping-up
or down at the beginning and end of a shot. The zoom doesn't
clunk in or out as is often the case with consumer
camcorders. When you need to zoom out very quickly to reframe
a shot, it will let you do this.
It's possible to set up a custom WB (white balance) by
selecting this option in the menu and then pointing the
camera at a piece of white paper (or other white reference
point) and pressing SET until the flashing icons stops. This
is accessed through the HF100's FUNC button on the LCD panel.
There's a mini video light, too, which is also activated by
selecting the appropriate option using the joystick.
What's particularly likeable about the camcorder's design is
that there's an individual On/Off button positioned on the
upper left of the main body towards the back. Very often, the
power switch is combined with other functions, and to be able
simply to switch on and off power in this manner is useful.
I should add that although it's possible to take manual
control over all key operating functions of the camera, doing
so does require a modicum of patience initially. For
instance, achieving a smooth manual pull-focus is not
achieved anywhere near as easily as it would be by turning a
good filter ring; to that end it requires practice. Good
results can be achieved, but many users will rely solely on
the auto-focus default option and in the majority of
instances this will be more than acceptable. The same applies
to other manual functions like aperture, exposure and audio
recording level. However, users should experiment with the
variable shutter speed options, especially when shooting
sports, etc., since there's a whole world of possibilities
with the HF100. This is also the case with the PF25
Cinema Mode shooting, too.
In all, the HF100 performs superbly in almost all
situations. Certainly, the generously-sized CMOS imaging chip
does an exceedingly good job in good light; take the product
indoors into less-than-perfect light and you'll start to
notice picture noise sooner than you would with equivalent
3CCD camcorders, however. That said, there's a video light to
assist this so it will be considered to be a problem only for
the fussiest of users who have unrealistic expectations of a
high definition consumer camcorder at this price point.
Playback options
There's a comprehensive range of playback options applicable
to both movie clips and digital stills. Using the
mini-joystick it's possible to select a variety of functions
such as Fast (5x, 15x, 60x speed) modes as well as equivalent
slow modes. Where close analysis is required, frame-by-frame
advance is also possible - useful for sport - and playback
pause. It's also possible to digitally zoom into and out of
movie clips and still images in playback mode, too. Thanks to
the nature of the recordings as individual clip files, we can
use the joystick and other functions to skip scenes forward
and back and generally navigate in the same way as we would
on a DVD disc. Digital still images can be directly output to
a Canon SELPHY printer using Pictbridge compliant settings
and with the supplied USB cable, although it will also
support output to other USB -equipped printers, too.
Importing and Editing clips using Apple Intel Mac OSX
computers, Windows/Vista and Canon's DW-100 USB DVD
Burner
With there now being so much concern about how users can
import their AVCHD clips to either a Windows/Vista PC or
Apple Mac, it's worth mentioning that the HF series
camcorders come with a PC version of Pixela Imagemixer 3SE
software. This will facilitate import and simple deletion,
trimming, re-arranging of clips on a PC and also export to
DVD or web. Although there was insufficient time to test this
at review stage, we did successfully import all test clips
from a 16GB SDHC card into iMovie '08 on an Apple 24" iMac
running OS10.5 Leopard without any problems at all, and the
results were more than impressive (as was the ease of editing
of the imported clips).
For easy creation of DVD copies as either HD or SD (standard
definition) we should mention Canon's own standalone DVD
writer. The DW-100 DVD Burner is designed to connect directly
to the HF100 (and other AVCHD camcorders in Canon's range)
via USB 2.0 in order to facilitate one-touch DVD disc
creation. This can be undertaken either from individual
clips, all clips or from user-defined playlists. If there's
more content than can be stored on a single disc, the
software (driven from the camcorder's menu system) will
indicate how many discs are required and prompt the user to
load additional discs as required. For many users looking for
a quick and pain-free means of making DVD copies of their
HF100 movie projects, this will undoubtedly be the preferred
option. With the burner remaining connected to the camcorder
via USB, and the camcorder connected to a HDTV via either
HDMI or Component connectors, playback of HD movies can be
achieved using the burner drive itself using the camcorder's
wireless remote for control.
Conclusion
Every so often we receive a camcorder for review which knocks
us out from the moment it's removed from the box. We'd
already seen advance pre-production samples at an
invitation-only Canon preview back in February 2008 in London
and although it wasn't possible to explore either the HF100
or the HF10 in any detail, it was obvious that it was
destined to be a winner. We haven't been disappointed. At its
highest 17Mbps quality setting, the clips recorded with the
HF100 are absolutely superb when played back not only on a
HDTV display via HDMI but even when displayed using the
supplied AV connectors on a 28" Widescreen CRT monitor, too.
Its Dolby Digital 2-channel (AC-3 2ch) sound quality is also
very good indeed, with clarity and stereo separation being
well up to expectations from such a product.
Whilst it's fair to say that a great many users will have no
interest in connecting an external microphone (either via the
3.5mm jack or on the intelligent accessory shoe) or even
headphones (actually very useful as a means of checking
wind-impact on the built-in mic even if monitoring with
iPod-style earbuds), it's also worth noting that there will
be many other users for whom the inclusion of these features
will make the solid-state HF100 a very attractive proposition
indeed, and for that Canon has to be congratulated in coming
up with such an excellent pair of products.
There are only two words to describe the Canon HF100 -
absolutely fabulous!
Reviewed by: CB. May 2008. Canon HF100 images
courtesy of Canon UK.
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